F.M. Alexander-Technik
The content on this page was translated automatically.
- Study subject
- Körperorientierte Grundlagen (G)
- Teachers
- Dorothea Fiedler-Muth
- Semester
- Sommersemester 2024
- Scope
- Wednesdays 13.00 to 14.30 first meeting 3.4. 24
- Room
- Bewegungsstudio I
- Duration
- 1.5 Semesterwochenstunden
- Description
Learning the principles of the F.M. Alexander Technique.
If we recognize our posture, movement and thinking habits, we can prevent tension and pain in everyday musical life. Work with the instrument is possible. With homologous, homolateral and contralateral movements we bring the body mindfully into motion, resulting in the possibility of a finer balance. The relationship between the head, spine and feet is of central importance.
"People do not decide their futures; they decide their habitus and their habits decide their futures" F.M. Alexander- Literature
www.alexander-technik.org " Alexander Technique Association Germany",
Michael Gelb "Body Dynamics",
Pedro de Alcantara "Alexander Technique for Musicians",
Barbara Conable "What every Musician needs to know about the Body"
Frederick Matthias Alexander "The Use of the Self"- Credits
- ein Creditpoint
- Comments
All interested students should register in advance at dorothea.fiedler-muth@hfmt-hamburg.de, stating their instrument, course of study and semester. Also open for elective module Instr.Master.
Please bring socks and comfortable pants.- Modules
- Kernmodul 1 Instrumentalpädagogik, Kernmodul 1 Block- und Traversflöte, Kernmodul 1 Cembalo, Kernmodul 1 Fagott, Kernmodul 1 Flöte, Kernmodul 1 Gitarre, Kernmodul 1 Harfe, Kernmodul 1 Horn, Kernmodul 1 Kontrabass, Kernmodul 1 Klavier, Kernmodul 1 Klarinette, Kernmodul 1 Oboe, Kernmodul 1 Orgel, Kernmodul 1 Posaune, Kernmodul 1 Schlagzeug, Kernmodul 1 Trompete, Kernmodul 1 Viola, Kernmodul 1 Violoncello, Kernmodul 1 Violine