Teaching degree for special education
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The study program
By studying the "Music - Teaching Qualification for Special Education with a Secondary Level Profile (LAS-Sek)" sub-degree program, students acquire skills and knowledge that will enable them to teach music in an inclusive context. This primarily includes artistic and practical artistic skills in two instruments, singing, practical school piano playing, music and movement/rhythm, choral conducting, ensemble work, arranging and speech training. Theoretical and scientific knowledge is acquired in applied music theory/aural training/form theory as well as historical and systematic musicology. Artistic and theoretical skills are combined with pedagogical knowledge in the seminars on school music-making practice and its didactics as well as singing and making music in an inclusive context and music teaching and inclusion and tested in the practical field of school. The above-mentioned course content takes into account the characteristics of Western art music as well as non-European music, folklore, jazz and various manifestations of popular music.
Teachers
The teaching staff at the Institute of School Music are drawn from a variety of disciplines. The list below includes part of the teaching staff.
* lecturer at HfMT according to §26 Hamburg Higher Education Act
Course catalog
Compulsory elective area
The following compulsory elective areas are available to all three teaching specializations:
Playing at least the basics of various instruments is a great support in everyday teaching. After completing the two instrumental subjects, further instruments can therefore be learned in small group lessons and incorporated into joint music-making.
Can be chosen according to capacity (1-2 LP): drums, guitar, accordion, saxophone, Orff instruments, brass instruments, string instruments, movement/dance.
The joy of artistic expression in the community of a choir, ensemble or orchestra is at the heart of this elective area. Participation in one of the many offerings from the outset is strongly recommended, as this results in a broad spectrum of artistic experiences over time.
Students can choose according to capacity (2 LP): chamber choir, jazz choir, women's choir, men's choir, school music orchestra, school music big band, Kleinjans ensemble.
Perceive what is -
react appropriately to the situation -
anticipate what is to come.
Improvisation is based on these three pillars, regardless of whether it is expressed on the instrument, with the voice or in movement.
Selectable by capacity (1 LP) : Piano improvisation, vocal improvisation, movement improvisation.
In addition to the possibility of studying instrumental pedagogy as a fully-fledged additional course of study, individual subjects from it can already enrich the school music course and provide an even broader basis for later teaching practice.
Can be chosen according to capacity (3 CP): didactics of the instrument, methodical practical course.
Productions for the stage are developed at irregular intervals, in which participation is possible in various areas from technology to orchestra to dance.
Can be chosen according to capacity (1-3 LP n.V.): musical, revue.
Regardless of the chosen specializations, which may take several semesters, a wide range of individual subjects can be added on a semester-by-semester basis. This also includes the possibility of extending lessons in one of the artistic subjects. Only a selection is given below.
Can be chosen according to capacity (1-2 CP): artistic subject, musicology, voice science, sight-reading, jazz theory, notation programs, body-oriented basics, choral conducting.
Film about the specialization module >
Students gain detailed knowledge of basic interpersonal processes, which enables them to interact with pupils, colleagues and parents in a more competent and satisfactory manner. Psychological and developmental processes are taught through musical improvisational processes as experiential learning content so that prospective music teachers learn to design music lessons as a space for personal development, play development and resource activation for students. The module offers a variety of methodological suggestions from music therapy that can be incorporated into music education work. The course content is highly relevant in preparing for a professional identity as a teacher with the psycho-emotional flexibility and resilience inherently required in this professional field and the ability to manage crises. Working in inclusive pedagogical fields also requires a higher level of counseling skills in relation to pedagogical and therapeutic services, to which the module also aims to contribute. With the knowledge of relationship dynamics in individual and group situations, it is easier to understand the connections between emotionally stressful interactions in the classroom and to develop suitable support services.
Selectable according to capacity (up to 20 CP): Group dynamics, developmental psychology, interviewing, emotions and affects from a psychoanalytical perspective, fields of action in music and psychotherapy, improvisation as a relationship process, psychodynamic movement, writing workshop.
Entrance examination
In addition to the university entrance qualification (Abitur), a prerequisite for a Bachelor's degree course is passing the entrance examination as proof of artistic and academic aptitude.
Details on the specific requirements for your degree course can be found here and in the entrance examination regulations:
Information on the admission requirements for a Master's degree in school music will follow here soon.
The application deadlines can be found in the overview of the application periods
All important information about the application can be found under online application.
Details of the requirements for the entrance examination can be found here.
Contact us
Ines Thiel
Fachbüro Lehramt/Schulmusik+49 40 428482-407ines.thiel@hfmt.hamburg.de