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Music stand in the foreground and person with 3D glasses in the background Mon, 05/11/2026
Computer music on the big stage

From 10 to 16 May 2026, Hamburg-Harburg will become the international center for computer-based music: around 300 scientists, musicians and developers from all…

Five portraits on a golden background Thu, 05/07/2026
Thörl scholarship holders are selected

This year, the Thörl Foundation is awarding five scholarships to particularly talented and needy music students at the HfMT Hamburg. The Thörl Scholarship 2026…

A group of people next to a piano Thu, 05/07/2026
Mahler competition at a high level

The Gustav Mahler Competition for Lied Duos took place for the seventh time on May 3, 2026 in the Forum of the Hamburg University of Music and Drama and…

White HfMT logo on an ochre-colored background Mon, 04/27/2026
HfMT becomes a member of the external trust center Themis

The University of Music and Drama (HfMT) is now a member of the external trust center Themis. The HfMT is thus expanding its support and counseling services for…

Word mark Art.Power.Humanity Thu, 04/23/2026
Study on abuse of power at German music academies

From May 2026, the HfMT Hamburg will be participating in a nationwide, independent, cross-university study on the manifestations and prevention of abuse of…

Portrait of a man Wed, 04/22/2026
We mourn the loss of Marc Aisenbrey

Our colleague Professor Marc Aisenbrey passed away suddenly and unexpectedly. We are stunned and deeply shocked.

Marc Aisenbrey was an approachable and…


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zwoelf - the university magazine

"che contrasto d'affetti"- Ambivalence and ambiguity as the focus of the freshly printed zwoelf-issue no. 38 of the summer semester 2026

Vacillating between love and hate towards the dazzling monster called Don Giovanni, Donna Elvira sings a recitative bursting with inner tension before her aria "Mi tradì" in Mozart's "opera of all operas". It says: "che contrasto d'affetti in sen ti nasce!" A stark clash of emotions rages within her. This psychological ambiguity raging in a single human breast can also be rediscovered in larger contexts, not least in the study of Music and Drama. Time and again, the most relevant things only emerge from friction. In view of our complex present, it is therefore no coincidence that this issue of zwoelf, our No. 38, is dedicated to a pair of terms that describe tensions and ambiguities with particular precision: Ambivalence and ambiguity. Both phenomena play a central role in the arts. They demonstrate a particular strength of artistic forms of expression: the ability to enable experiences that cannot be reduced to a single perspective.

This issue of the university magazine zwoelf focuses on the potential of ambiguity in its thematic section. We wish you an inspiring read of zwoelf no. 38, which is available free of charge in the foyers of the HfMT.

The e-paper of zwoelf is ready for you to discover!

redaktion.zwoelf@hfmt-hamburg.de

The printed edition will be sent by post with immediate effect. If you would like to receive zwoelf regularly by post free of charge, please send us an e-mail with your address to redaktion.zwoelf@hfmt-hamburg.de