Renaissancekontrapunkt
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- Subject according curriculum
- Renaissance counterpoint
- Teachers
- Roberta Vidic
- Semester
- Sommersemester 2024
- Scope
- 5 ZOOM or face-to-face appointments (60 minutes each, n.V.). Hybrid course (digital with individual attendance dates)
- Room
- Keine Angabe
- Duration
- eine Semesterwochenstunde
- Description
Choice of topics: Musica pratica (Zarlino 1558, German translation) / Theory of Composing (Hartig 2019, German compendium); counterpoint, tonal system, solmization, source studies, historically informed analysis; exercises in 2- to 3-part composition, intavolation and diminution.
- Literature
Literature in German and English will be provided on Moodle, including [1] Guido Heidloff Herzig (2019), Die Musik der Renaissance, Darmstadt: wbg Academic; [2] Gioseffo Zarlino (1558), Institutioni harmoniche, Venice: Gardano. German translation by Christoph Hohlfeld, revised by Daniela v. Aretin.
- Credits
- ein Creditpoint
- Comments
The course is a compulsory subject in the BA Harpsichord, Transverse Flute and Recorder (3rd-4th semester), elective subject for other interested students. The course is suitable for both beginners and advanced students. Every week you can select (1) readings, (2) media, (3) individual/group tasks on Moodle and work on them online. You will receive individual feedback. At the end of each unit, i.e. every 2-3 weeks, there will be a total of 5 ZOOM or face-to-face sessions for all participants. Face-to-face tutorials (for groups) or online consultations (individual) on request.
Registration for all (compulsory and elective) to: roberta.vidic@hfmt-hamburg.de (for ZOOM, Moodle and further information). ZOOM consultation hour for appointments on 02.04.2023 at 18:00.
Classes start in the second week of April.- Modules
- Musiktheorie 2 Alte Musik (Cembalo, Block-/Traversflöte), Musiktheoretisches/Musikwissenschaftliches Wahlmodul Instrumental, Wahlmodul freie Wahl (alle Studiengänge)