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HfMT Organist Wins Prestigious Position
On Sunday, January 24, 2027, at 10 a.m., the solemn installation service for the new organist, Yewon Choi, will take place at St. Nikolai Church in Altenbruch.…
Organ Professorship for HfMT Alumna
Mari Fukumoto, who studied organ and church music at the HfMT beginning in 2011, will assume a professorship in church music with a focus on the organ at the…
HfMT Strengthens University Partnerships in Vietnam and China
In Ho Chi Minh City, the president met for the first time with the new director of the local conservatory, Prof. Quoc Hung. The meeting provided an opportunity…
In Memory of Prof. Dr. Dieter Glawischnig
The Hamburg University of Music and Drama (HfMT) mourns the loss of Prof. Dr. Dieter Glawischnig. The pianist, composer, and conductor passed away at the age of…
The Future of Musical Theater
A wealth of musical theater under one roof! At the Theater Academy, students and professors from the composition, opera singing, directing, and dramaturgy…
Professorship in Vienna
Alexander Riedmüller-Rezzani, formerly a research assistant and doctoral candidate under Prof. Dr. Almuth Süberkrüb at the HfMT, was appointed to the Chair of…
zwoelf - the university magazine
“From Institution to Interaction”– the twelfthIssue No. 39 of the 2026–27 winter semester has been published
While Wotan in *Die Walküre* – rails against marriage as an institutionalized lack of love – “I deem unholy the vow that unites those who do not love each other”— the poet Ingeborg Bachmann, whose 100th birthday the literary world is currently commemorating, calls marriage an “impossible institution” because it hinders female autonomy. As a general rule, institutions that remain stuck in rigid systems struggle to legitimize themselves strategically. Openness and permeability, participation and dialogue, sensitivity to social change processes, mediation, the art of building relationships, and the self-critical examination of one’s own assumptions and contexts are becoming increasingly important.
Therefore, we are taking the motto of the annual congress of the Association Européenne des Conservatoires —to be held in November 2026 at the Hamburg University of Music and Drama—as an opportunity to explore the theme “From Institution to Interaction” in this issue of zwoelf. In addition to articles on performative encounters, intersectional theater, and artistic research at the HfMT, we would particularly like to recommend the student feature, which explores the university as a space for reflection and addresses personal questions about one’s own career path: “Where do I want to go? What do I want to be?”
We hope you find this issue of zwoelf No. 39 inspiring; it is available free of charge in the lobbies of the HfMT.
The e-paper of zwoelf is ready for you to explore!
The printed edition will be sent by post with immediate effect. If you would like to receive zwoelf regularly by post free of charge, please send us an e-mail with your address to redaktion.zwoelf@hfmt-hamburg.de