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After three intensive years of learning, eight students work on a production under professional conditions. This final production marks the end of the drama course and gives the players the opportunity to express their artistic personality. The performances are presented on the main stage of the Theaterakademie and in the Malersaal of the Deutsches Schauspielhaus.

After studying acting in Hamburg, Christiane Pohle founded the Laborlavache theater collective and made her first appearance as a director. This was followed by productions and projects in independent theaters and at various municipal theaters, including the Sophiensaele Berlin, Schauspielhaus Zürich, Münchner Kammerspiele, Thalia Theater Hamburg, Ruhrtriennale, Salzburger Festspiele, Theater Basel, Bayerische Staatsoper München, Staatsoper Stuttgart and the Munich Music Biennale. In addition to her directing activities, Christiane Pohle works as a lecturer for acting and directing at various universities and directing institutes.

At the center of the text is an increasingly unmanageable group of potential owners interested in buying, an estate agent and a mysterious house. Perhaps the house is also a continent, perhaps the planet Earth. A few centuries earlier, however, on the same evening in the theater, an expedition with a colonial mission discovers an island. Times, bodies and worlds collide. An interest in buying develops at ludicrous, time-lapse speed into a civil war-like event. The expedition ship becomes a
spaceship from some future, in which Stix, half child, half cyborg, speaks after everyone has finally run out of precious air: "not for us / was this house / made / for you anyway".
"With ciphers of post-colonial theory, a good dose of cyborgism, post-punk, xenofeminism and dark ecology in his luggage, Thomas Köck has written a text for the theater in which he allows the omnipresent questions of property, ownership and global, planetary responsibility to collide in surprising ways, dissolves binary gender attributions and, with the choir of cyborg children, ultimately also the bodies themselves - because perhaps it is ultimately them
who make us cling to the dynamics of resource exploitation and ownership. And perhaps it is these children to whom the future beyond humans has long belonged, a future in which the cyborg kids will definitely still have a lot of songs to sing," writes Suhrkamp Verlag in its announcement.

Contributors
Performers: Jawid Arthen, Anne Gisler, Jasmin Gloor, Anna Hauner, Luca Manuel Krebs Mbiene, Kaspar Jöhnk, Anouk Piwek, Esteban Romo Salcedo

Director: Christiane Pohle
Stage. Julius E. Böhm
Costume: Daniel Goergens
Dramaturgical consultant: Hubert Bauer
Assistant director: Andreas Görgner
Set assistant: Julie Schärfe
Assistant director: Krümmel Bühler
Assistant set designer: Alexandra von Giese

Eintritt frei

Registration is required and can be done via eventbrite

Performance rights: Suhrkamp Theater Verlag.

Final production of the drama course at the Theaterakademie Hamburg, Hochschule für Musik und Drama, in cooperation with the HFBK Hamburg.

Dates at a glance
13.03, 19:00
14.03, 19:00
15.03, 19:00