Ästhetik des Hörens
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- Subject according curriculum
- Music theory seminar
- Teachers
- Prof. Catherine Fourcassie , Dr. Benjamin Sprick
- Semester
- Wintersemester 2023/2024
- Scope
- Thursdays, 9:30-11:00 a.m.; start 12.10.2023
- Room
- Blau 101 (Komposition, Theorie, Multimedia)
- Duration
- 1.5 Semesterwochenstunden
- Description
Listening is never merely a means to an end. It always produces its own modes of perception and sensation, which give it the status of an independent and genuinely aesthetic event. Against this background, the seminar relates philosophical theories of listening to examples from the musical tradition in order to collaboratively evaluate the relationship between music aesthetics and aural training: How would a current theory of listening be written that is connectable to musical practice? What challenges would such a practice pose for the methodology of artistic music research?
- Literature
Gilles Deleuze, Difference and Repetition, Munich: Fink 1992; Robert Espinet, Phänomenologie des Hörens. Eine Untersuchung im Ausgang von Martin Heidegger, Tübingen: Mohr Siebeck 2016; Steve Goodman, Sonic Warfare. Sound, Affect, and the Ecology of Fear, Cambride: MIT Press 2012; Maurice Merleau-Ponty, Phänomenologie der Wahrnehmung, Berlin: de Gruyter 1966; Jean-Luc Nancy, Zum Gehör, Berlin: diaphanes 2010; Peter Szendy, Hören. A history of our ears, Munich: Fink 2019.
- Credits
- 2 Creditpoints
- Comments
A comprehensive reader with texts and numerous music examples will be made available in digital form on Moodle at the beginning of the seminar.
Please register via email to: cfourcassie@icloud.com or Benjamin.sprick@hfmt-hamburg.de
Self-enrollment via Moodle is also possible.
- Modules
- Musiktheoretisches/Musikwissenschaftliches Wahlmodul Instrumental