1700 BIS 1884 – KLAVIER, KLAVIERMUSIK UND INTERPRETATION. VOM HAMMERKLAVIER ZUM MODERNEN KONZERTFLÜGEL
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- Subject according curriculum
- Piano
- Teachers
- Ekaterina Polyakova
- Scope
- October 13
- Room
- Keine Angabe
- Duration
- 1.5 Semesterwochenstunden
- Description
The seminar is designed as a combined study of instruments, literature and
interpretation. The development of piano making will be discussed parallel
the development and expansion of the pianistic repertoire from 1700 to 1884.
will be considered. The focus is on aspects of instrumentology - from
Cristofori's fortepiano to the Steinway Model D - as well as the
music-historical and literary diversity of piano music.
A particular focus is on questions of performance practice: What possibilities does a historically
What possibilities does a historically informed approach to interpretation open up for
piano art today? And what impulses can be gained from this for a
artistic practice for the future?
In addition to working with textbooks and contemporary sources, the
seminar also offers practical explorations on historical keyboard instruments from the
collection of the Museum für Kunst und Gewerbe Hamburg. In addition, an
excursion to another important collection of historical pianos is planned.
is planned.- Credits
- 2 Creditpoints
- Comments
The main topics and organizational details will be discussed at the first meeting on
first meeting on October 13.
Lecturers: Olaf Kirsch, Ekaterina Polyakova (Music Collection of the
Museum für Kunst und Gewerbe)- Modules
- Wahlmodul freie Wahl (alle Studiengänge)