Historische Aufführungspraxis für Masterstudierende: Italienisches Repertoire 1600-1800
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- Subject according curriculum
- Singing
- Teachers
- Prof. Isolde Kittel-Zerer , Prof. Mark Tucker
- Scope
- Tues.10-11:30 a.m. weekly from 7.10.25 Workshop monthly for Baroque Dance/ Gesture with Catharina Lühr Workshop for Bel Canto with Vivica Genaux in the week 24-28.11.25 Final project: Artaserse by Hasse Performances 27.2.,28.2.26
- Room
- Rot 304 (Gesang)
- Duration
- 2 Semesterwochenstunden
- Description
Italian repertoire 1600-1800: language, declamation and the art of ornamentation.
- Literature
Monteverdi, Caccini, Peri, Da Gagliano, D'India, Frescobaldi, Carissimi, Scarlatti, Pergolesi, Vivaldi, Porpora, Broschi, Galuppi, Hasse, Händel, J.C. Bach, Cimarosa, Mozart, Haydn, among others.
- Credits
- 3 Creditpoints
- Comments
Compulsory for Master's students of voice, open to all interested parties
please register with Prof. Tucker mark.tucker@hfmt-hamburg.de
This seminar takes place in close cooperation with students of Isolde Kittel-Zerer's basso continuo seminar. Singers can experience and try out this form of improvisation, which was in use everywhere between around 1600 and 1780, by making music together.
The sheet music will be uploaded to Moodle and can be accessed there
- Modules
- Historisches Modul 1 Master Gesang, Historisches Modul 2 Master Gesang