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Portrait of Cellist Clara Eglhuber Thu, 07/23/2026
Successful Cello Class

In the 2025–26 academic year, Prof. Sebastian Klinger’s cello class has already achieved numerous notable successes and career milestones.

Here is a brief…

Portrait of Harpist Dariaa Ahapova Mon, 07/13/2026
Congratulations on your scholarship!

Harpist Dariia Ahapova, a master’s student at the Hamburg University of Music and Drama, has been awarded the 2026 Erna Mögenburg Scholarship. The scholarship,…

Portrait photo of Anne Hameister Mon, 07/13/2026
Professorship for an HfMT Instructor

HfMT lecturer Anne Hameister will assume a professorship in music theory (50%) at the HfMT Cologne’s Wuppertal campus beginning in the 2026/27 winter semester.…

A man is presented with a bouquet of flowers on stage Wed, 07/08/2026
Final University Orchestra Concert for Prof. Ulrich Windfuhr

On Sunday, July 5, 2026, Prof. Ulrich Windfuhr conducted his final concert with the University Orchestra of the Hamburg University of Music and Drama,…

Mon, 07/06/2026
Successes for HfMT Composition Classes

Kyungjin Lim and Nina Deuse, students in Prof. Gordon Kampe’s composition class at the HfMT, are among the winners of the “ad libitum” composition competition…

Stage set featuring Science Slam performers Thu, 06/18/2026
Harburg in the Spotlight of Computer Music

With 400 attendees, interactive performances, and an international science slam, Off-ICMC brought the latest research on computer-assisted music from the…


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zwoelf - the university magazine

"che contrasto d'affetti"- Ambivalence and ambiguity as the focus of the freshly printed zwoelf-issue no. 38 of the summer semester 2026

Vacillating between love and hate towards the dazzling monster called Don Giovanni, Donna Elvira sings a recitative bursting with inner tension before her aria "Mi tradì" in Mozart's "opera of all operas". It says: "che contrasto d'affetti in sen ti nasce!" A stark clash of emotions rages within her. This psychological ambiguity raging in a single human breast can also be rediscovered in larger contexts, not least in the study of Music and Drama. Time and again, the most relevant things only emerge from friction. In view of our complex present, it is therefore no coincidence that this issue of zwoelf, our No. 38, is dedicated to a pair of terms that describe tensions and ambiguities with particular precision: Ambivalence and ambiguity. Both phenomena play a central role in the arts. They demonstrate a particular strength of artistic forms of expression: the ability to enable experiences that cannot be reduced to a single perspective.

This issue of the university magazine zwoelf focuses on the potential of ambiguity in its thematic section. We wish you an inspiring read of zwoelf no. 38, which is available free of charge in the foyers of the HfMT.

The e-paper of zwoelf is ready for you to discover!

redaktion.zwoelf@hfmt-hamburg.de

The printed edition will be sent by post with immediate effect. If you would like to receive zwoelf regularly by post free of charge, please send us an e-mail with your address to redaktion.zwoelf@hfmt-hamburg.de