Analyseansätze zur Neuen Musik: FURY !
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- Subject according curriculum
- Analytical approaches to new music
- Teachers
- Sascha Lino Lemke
- Semester
- Sommersemester 2024
- Scope
- The seminar takes place every 14 days on Thursdays 9:30 to 12:30 for three hours on the following dates: 04.04.24; 18.04.24; 02.05.24; 16.05.24; 30.05.24; 13.06.24; 27.06.24; 11.07.24.
- Room
- BP 11
- Duration
- 1.5 Semesterwochenstunden
- Description
At the center of the seminar is Rebecca Saunders' concerto for double bass and ensemble "Fury II". Two works by Ustkvolskaya and Xenakis, which Saunders greatly appreciates, broaden our perspective on Saunders' thinking. Loosely linked by the theme of rage is the colorful bouquet of other very different compositions that we will analyze in the course of the seminar. Be it a percussionist who increasingly plays herself into a rage in Aperghi's "Corps a Corps" or the whirlwind that seizes Aperghi's music theater "Avis de tempete". In Sciarrino's opera "Luci mie traditrici", rage leads the count to commit double murder - and Sciarrino to a special vocal style, which we will compare with similar wonderful pieces by Furrer ("Lotofagos II") and Poppe ("Wasp"). In Mauro Lanza's string quartet with electronics "The 1987 Max Headroom Incident", an old television pirate gradually hijacks the concert hall, whose anarchic rage then determines the further course of the work. From this work by Lanza, traces lead on to Fausto Romitelli's works and his artistic treatment of media distortion.
- Credits
- 2 Creditpoints
- Comments
If you are interested but cannot come to the first event, please send an email to sascha.lemke@hfmt-hamburg.de .
(If desired, the course can be held in English.)- Modules
- CoPeCo, Musiktheorie 3 Komposition/Musiktheorie, Wahlmodul freie Wahl (alle Studiengänge)