Liedrepertoire: Lied und Chormusik in Zeiten der „English Musical Renaissance“ (ca. 1880-1920)
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- Subject according curriculum
- Musicology
- Teachers
- Dr. Silke Wenzel
- Scope
- Tuesdays, 18:00-19:30, start: Tuesday, April 14
- Room
- BP 13 (Seminarraum Schulmusik)
- Duration
- 1.5 Semesterwochenstunden
- Description
The years 1880 to 1920 were important years for British music. Initially - in keeping with the supposed national styles of the 19th century - the aim was to develop a distinct British music that would stand out from the European continent. The (project) seminar examines the aesthetic controversies, musical goals and specific works of the period using song repertoire and choral music (often including solo "partsongs"). In the process, 350 years of British music history will also become visible, with its numerous peculiarities, including the tradition of the "folksong", the oratorio, the accompanied solo song (ayres) or the English madrigal.
To this day, the period of the "English Musical Renaissance" is associated with composers such as Hubert Parry and Charles Villiers Stanford on the one hand, and Arthur Sullivan and Edward Elgar on the other. However, this period in particular is decisively influenced by female composers who have remained largely invisible until now, including Ethel Beningfield, Liza Lehmann, Maude Valerie White and Amy Woodford-Finden. It is therefore also important to discover new song repertoire.
- Literature
Suitable literature will be announced in the seminar.
- Credits
- 3 Creditpoints
- Comments
The seminar can be attended as a song repertoire course, as a musicology seminar with 2 (attendance + presentation) or 3 credits (+ seminar paper) and as a project course for Master's students (3 or 6 credits, coursework by arrangement). Registration takes place via Moodle: Please register for the course by April 8: https://elearning.hfmt-hamburg.de/course/view.php?id=955
- Modules
- Musikwissenschaftliches Modul Gesang, Musikwissenschaftliche Seminare Gesang, Wahlmodul 1 Gesang, Ergänzungsmodul Kammermusik Master, Ergänzungsmodul Liedgestaltung Master, Musiktheoretisch-/wissenschaftliches Modul 2, Musiktheoretisches/Musikwissenschaftliches Wahlmodul Instrumental, Musiktheoretisches/Musikwissenschaftliches Modul, Musikwisenschaft I Lehramt, Musikwissenschaft II Lehramt, Musikwissenschaft III Master Lehramt, Musikwissenschaftliches Modul 1 Kirchenmusik A (Master), Musikwissenschaftliches Modul 1 Master, Musikwissenschaftliches Modul 1 Chorleitung Master, Musikwissenschaftliches Modul 2, Musikwissenschaftliches Modul 2, Musikwissenschaftliches Modul 3, Musikwissenschaftliches Modul 3 Komposition/Musiktheorie, Musiktheoretisch/-wissenschaftliches Modul Master, Promotionsmodul, Wahlmodul freie Wahl (alle Studiengänge), Wahlmodul Lehramt