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Re:Search//Re:Create -- Wie künstlerische Recherche musikalische Praxis verändert

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Subject according curriculum
all subjects, all degree programs, all people
Teachers
Daniel Bucurescu
Scope
THURSDAYS 2:00–4:00 p.m. in Room U11 (Budge Palais) 2026 Oct. 8 Oct. 29 Nov. 5 Nov. 19 Nov. 26 Dec. 3 Dec. 10 Dec. 17 2027 Jan. 7 Jan. 14 Jan. 16, 2027: BLOCK SESSION (approx. 10 a.m.–4 p.m.) Jan. 21 Jan. 28 Feb. 4 Feb. 8 (Monday!) Class night (TBC)
Room
BP U11
Duration
2 Semesterwochenstunden
Description

How can musical material give rise to an artistic act? How can what we play, hear, and explore be translated into new artistic projects featuring new formats and real-life encounters?
In this seminar, students will explore examples of folk and musical traditions from Central and Eastern Europe (including George Enescu), trace their influence in art music, and adapt them into contemporary artistic formats without perpetuating national stereotypes.
The focus is not on finding a single “correct” solution, but rather on the ability to ask relevant questions driven by one’s own artistic curiosity and to develop possible courses of action from them.

How can we work with historical material responsibly and creatively? Who tells the stories of musical traditions, and which perspectives are missing?
The seminar combines research and practice: fieldwork, listening and perception experiments, engagement with venues and audiences, and the development of new forms of media expression for one’s own artistic voice.
This seminar is aimed at anyone who wishes to expand their musical practice, design their own projects, and actively connect art with its context.

CONTENTS
Applied Musicology & Field Research
Folk music traditions of Central and Eastern Europe and their traces in art music
Curation and Improvising Reproduction
Concert design, development of new formats
Listening and perception experiments
Collaborative Context: Format Development for EnescuXtended 2027 (TBC)

OBJECTIVES
Explore artistic research
Develop your own artistic questions
Test new methods (research, reflection, artistic practice)
Artistic project design, concept and format development

Credits
2 Creditpoints
Comments

REGISTRATION
Required by email by October 4, 2026, to daniel.bucurescu@hfmt-hamburg.de

Modules
Musikwissenschaftliches Modul Gesang, Musikwissenschaftliche Seminare Gesang, Berufsqualifizierendes Modul, Ergänzungsmodul Kammermusik Master, Kernmodul 1 Kammermusik Master, Ergänzungsmodul Liedgestaltung Master, Musiktheoretisch-/wissenschaftliches Modul 1, Musiktheoretisch-/wissenschaftliches Modul 2, Musiktheoretisches/Musikwissenschaftliches Wahlmodul Instrumental, Musiktheoretisches/Musikwissenschaftliches Modul, Musikwissenschaftliches Modul 1 Cembalo / Block-/Traversflöte Master, Musikwissenschaftliches Modul 1 EMP, Musikwissenschaftliches Modul 1, Musikwissenschaftliches Modul 1, Musikwissenschaftliches Modul 1 Kirchenmusik A (Master), Musikwissenschaftliches Modul 1 Kirchenmusik B, Musikwissenschaftliches Modul 1 Komposition/Musiktheorie, Musikwissenschaftliches Modul 1 Master, Musikwissenschaftliches Modul 1 Orgel Master, Musikwissenschaftliches Modul 1 Chorleitung Master, Musikwissenschaftliches Modul 2 EMP, Musikwissenschaftliches Modul 2, Musikwissenschaftliches Modul 2, Musikwissenschaftliches Modul 3 Komposition/Musiktheorie, Musiktheoretisch/-wissenschaftliches Modul Master, Vermittlungsmodul 1, Vermittlungsmodul 2 IP, Vermittlungsmodul 3 IP, Wahlmodul 1 Regie Musiktheater, Regie Schauspiel, Berufsvorbereitendes Wahlmodul Master, Wahlmodul freie Wahl (alle Studiengänge), Wahlpflichmodul 1 Vermitteln