Analysis and interpretation

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What kind of "understanding" is necessary to bring music to the stage and also to bring it closer to the audience? The discussions in the "Analysis and Interpretation" series take place along these thematic lines and on the basis of a selected work.

A musical composition has both rationally comprehensible and inexplicable aspects, and the latter should not be confused with pure speculation. A musical work always arises from a concrete idea, which undergoes an equally concrete development in the course of the composition. Insights into the musical material, its development and transformation can form the basis for a personal and new perspective on seemingly well-known classical works. After all, why play a well-known work over and over again when everyone already knows it?

Participants
Dmitrij Chirkov, Master of Music Theory at the HfMT
Prof. Tanja Becker-Bender
Prof. Ruta Paidere

Program on 18.12.
Ludwig van Beethoven: String Quartet op. 74
2nd movement Adagio ma non troppo

Performers:
Prof. Tanja Becker-Bender, violin
Soyoung Park, violin
Chien-Ying Pan, viola
Antonio Lo Curto, cello

Eintritt frei

Registration is necessary and can be done via eventbrite.

Dates at a glance
18.12, 18:30
22.01, 18:30