Aporien der Romantik – Tod, Liebe, Ökonomie
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- Subject according curriculum
- Drama theater direction, dramaturgy
- Teachers
- Dr. Benjamin Sprick
- Semester
- Sommersemester 2024
- Scope
- 19.04.24; 26.04.24; 3.05.24; 10.05.24; 17.05.24 and by appointment.
- Room
- Wiesendamm - Raum 1.15 (Seminarraum 3)
- Duration
- 1.5 Semesterwochenstunden
- Description
How can the topicality of Romanticism be understood, what political-aesthetic legacy do we inherit from it today? Where do the economies of affect introduced by Romanticism still have an effect today, where does it seem peculiarly 'outdated'? Why should we avoid a romantic narrative? Being 'romantic' possibly always means moving in hopelessness. Romanticism dares to leap into infinity and fails because of the impossibility of its own transcendence. The seminar explores strategies for theatrical analysis and accompanies directorial projects that have committed themselves to an actualization of Romanticism.
- Literature
Jean Paul, Vorschule der Ästhetik, Hamburg: Meiner 1998; Marie Rotkopf, Antiromantisches Manifest, Hamburg: Nautilus 2020; Eva Illouz, Der Konsum der Romantik, Frankfurt am Main: Suhrkamp 2010; Joseph Vogl, Kalkül und Leidenschaft. Poetik der ökonomischen Menschen, Berlin: Diaphanes 2010; Friedrich Schlegel, Gespräch über Poesie, Berlin: Akademie 1800.
- Credits
- 2 Creditpoints
- Comments
The seminar serves as artistic-scientific support for the final project STR at the Thalia Theater in Gaußstraße. A reader with texts and a digital compendium of relevant materials will be made available via Moodle.
- Modules
- Abschlussmodul Regie, Regie Schauspiel