Composing / Programming Spatial Audio
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- Subject according curriculum
- CoPeCo, E-1-Jko-MM, Tec-W1-MMK, Tec-W2-MMK, W-bv, W-frei
- Teachers
- Dr. Grégory Beller
- Scope
- Mondays from 1:00 p.m. to 2:30 p.m. // Oct. 19, 26; Nov. 2, 26; Nov. 9, 26; Nov. 16, 26; Nov. 23, 26; Nov. 30, 26; Dec. 7, 2026; Dec. 14, 2026; Jan. 4, 2027; Jan. 11, 2027; Jan. 18, 2027; Jan. 25, 2027; Feb. 1, 2027;
- Room
- Keine Angabe
- Duration
- 1.5 Semesterwochenstunden
- Description
By the end of the semester, the students will have acquired a basic understanding of various sound spatialization techniques and will begin to explore the composition of space. They will compose a multichannel electroacoustic work that they will be able to listen to and compare across the various diffusion systems at the HfMT: the WFS system in ELA1, the MFS dome, the constellation in the Forum, and the ProdLab in the Ligeti Center.
- Literature
You can join without any prior knowledge, but a basic understanding of the Max programming environment is helpful.
- Credits
- 1.5 Creditpoints
- Comments
The seminar is intended for students of composition, multimedia composition, and all interested instrumentalists! Regardless of prior knowledge, all interested participants are invited to join! The course will be taught in English. For the practical sessions, you'll need Max, the Spat library, and the Dante audio driver.
- Modules
- CoPeCo, Multimediale Komposition (Jazzkomposition Master), Technisches Wahlmodul 1 Multimediale Komposition Master, Technisches Wahlmodul 2 Multimediale Komposition Master, Berufsvorbereitendes Wahlmodul Master, Wahlmodul freie Wahl (alle Studiengänge)